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| ISBN: | 0-415-12821-8 |
| Autor(i): | Critchley, Simon |
| Naslov: | Very little ... almost nothing : death, philosophy, literature / Simon Critchley |
| Impresum: | London ; New York : Routledge , 1997 |
| Materijalni opis: | xi, 216 str. : ilustr. ; 24 cm |
| Jezik: | engleski |
| Nakladnička cjelina: | Warwick studies in European philosophy |
| Napomena: | TUVF. - Str. 181-205: Bibliografija. - Kazalo |
| Ključne riječi: | filozofija, moderna * književnost -- književne studije * nihilizam * smrt * Nietzsche, Friedrich * Lévinas, Emmanuel * Derrida, Jacques * Blanchot, Maurice * Cavell, Stanley * Heidegger, Martin * Adorno, Theodor Wiesengrund * Stevens, Wallace * Beckett, Samuel |
| Sažetak: | Preamble: Travels in nihilon. -(a) Philosophy begins in disappointment. -(b) Pre-Nietzschean nihilism. -(c) Nietzschean nihilism. -(d) Responding to nihlism: five possibilities. -(e) Heidegger's transformation of Nietzschean nihilism. -(f) Heidegger 'contra' Jünger. -(g) Impossible redemption: Adrono on nihilism. -(h) Learning how to die - the argument. -Lecture 1: Il y a. -(a) Reading Blanchot. -(b) How is literature possible?. -(c) Orpheus, or the law of desire. -(d) Blanchot's genealogy of morals: esteriority as desire, exteriority as law. -(e) Il y a - the origin of the artwork. -(i) first slope - Hegel avec Sade. -(ii) second slope - a fate worse than death. -(iii) ambiguity - Blanchot's secret. -(f) The (im)possibility of death - or, how would Blanchot read Blanchot if he were not Blanchot?. -(g) Holding Levinas's hand to Blanchot's fire. -(i) a dying future. -(ii) atheist transcendence. -Lecture 2: Unworking romanticism. -(a) Our naiveté. -(i) Kantian fragmentation. -(ii) deepest naivité - political romanticism. -(iii) Hegel, Schlegel. -(iv) romantic modernity. -(b) Digression I: Imagination as resistance (Wallace Stevens). -(c) Romantic ambiguity. -(i) the fragment. -(ii) wit and irony. -(iii) the non-romantic essence of romanticism. -(d) Cavell's 'romanticism'. -(i) the romanticization of everyday life. -(ii) Emerson as the literary absolute. -(e) Digression II: Why Stanley loves America and why we should too. -(f) Cavell's romanticism. -(i) I live my scepticism. -(ii) Cavell's tragic wisdom. -(iii) finiteness, limitedness. -Lecture 3: Know happiness - on Beckett. -(a) Beckett and philosophical interpretation. -(b) The dredging machine (Derrida). -(c) The meaning of meaninglessness and the paradoxical task of interpretation (Adorno I). -(d) Hope against hope - the elevation of social sriticism to the level of form (Adorno II). -(e) Nothing is funnier than unhappiness - Beckett's laughter (Adorno III). -(f) Storytime, time of death (Molloy, Malone dies). -(g) My old aporetics - the syntax of weakness (The unnameable). -(h) Who speaks? Not I (Blanchot). -(i) No happiness? (Cavell) |
| UDK: | 82.09 : 1 |
| Signatura: | 82.09 CRIT V |
| Inventarni broj: | 06/112 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 8379 |
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| Autor(i): | Cavell, Stanley |
| Naslov: | Psihoanaliza i film : melodrama neznanke / Stanley Cavell ; prevela Tatjana Jukić |
| Materijalni opis: | 14 str. |
| Jezik: | hrvatski |
| Napomena: | F. iz: 'Treći program Hrvatskog radija', 43/1994., str. 58-71 |
| Ključne riječi: | film i psihoanaliza |
| UDK: | 791.43 : 159.9 |
| Signatura: | 791.43 CAV P |
| Inventarni broj: | F-2248 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 8181 |
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Upit: UncontrolledTerms_swish=(Cavell, Stanley ) |